When you press a chord on an auto accompaniment, your entire accompaniment plays only the 3 or 4 tones of your chord. The auto accompaniment cannot play anything else. Unless it plays something to you.
However, 7 tones can be played to each chord.
Why should accompanying musicians limit themselves to 3 or 4 tones?
Rock and pop musicians do not play so tamely. Neither do you. Because nimbu translates your chords into chord scales.
If you don't know chord scales yet, it doesn't matter at all. That changes quickly.
With the 7 tones of the chord scales you play
title-related accompaniments
or
accompanying rhythms, the so-called styles.
Your band plays the cool tension tones and generates real pressure. Video 1
To play title-related accompaniments, proceed as follows:
You load a suitable MIDI file for your song from the Internet. Video 2
From this you let nimbu calculate the harmony and accompaniment and you adjust the instruments a bit. And off you go.
What fun. Everything fits. The rhythm. The bass line. The transition tones. The melodic lines. The fills and breaks.
All you need is a keyboard with MIDI Out and you play this accompaniment just with Sync/Stop.
Or you make a style out of it which really fits.
To play styles, you proceed this way:
Either you choose in nimbu one of the 100 fantastic rhythms. Here we go.
Or you download a suitable YAMAHA® Keyboard Style from the Internet. Video 4
And also here you adjust the instruments to your setup. And here we go.
You play virtuously with the sections of the style.
But now you see your music and can easily edit it.
You even have the tension tones to further enhance the styles.